Introducing James Brown

James BrownThe Beyond Technique Residency is on again at Bundanon Trust’s Riversdale property 1 – 8 November 2015. Joining the artistic line up this year is Sydney-based composer, James Brown.

I’m looking forward to teaching and collaborating as part of the Beyond Technique Residency. In my experience these intensive times away from your normal routine to study, create, experiment and perform produce the most interesting ideas and satisfying creative experiences. James Brown

Expressions of Interest are now open so take advantage of the Early Bird price to receive $100 discount. You can find the Expression of Interest form here.

For more information contact the Project Manager, Sean Campbell on +61 432 714 534 email: or visit the Facebook event.


James Brown is a Sydney based composer and sound designer. He has worked collaboratively with companies both locally and internationally to produce soundtracks for performance, film animation and games.

His Featured works include: Jane Campion’s Top of The Lake (2013); Matthew Day’s INTERMISSION (2012), Cannibal (2011) and Thousands (2010); Victoria Hunt’s Copper Promises (2012); SOIT (Belgium) Messiah Run (2011), Café Prukel (2010), We Was Them (2009); SPG’s HOMELANDS (2011), NO-MADS (2008), Settlement (2007); The Australian Ballet’s Scope (2011); POST Who’s the Best? (2011); Karen Therese’s The Riot Act (2009); The Football Diaries (2009); Phantom Limbs’ The Memory Progressive (2010); Rosie Dennis’ Worlds Apart (2011); Nalina Wait’s Dual (2008), The Empty Centre (2011), Choreomania (2011); Aisthesis (2009), The Lotus Eaters (2008); The Whale Chorus (2008), A Loving Captive (2008), and Old Feed (2007).

Photo: James Brown (selfie)

This project has been assisted by the Australian Government through the Australia Council for the Arts, its arts funding and advisory body, AMP Foundation and Bundanon Trust. This project is endorsed by the World Dance Alliance. Dance Integrated Australia is an Associate Organisation of Ausdance NSW 2016 – 2018.

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